After the events of Nick Eh 30: The Movie, Nick is forced out of hiding after Ninja is assassinated at the game awards.

Russian comedy film. Continuation of 2008 The Best Movie film, spoofing such famous Russian films as Zhara, The Irony of Fate 2 and TV-programs: Malakhov+, King of Ring and Taxi.

暂无剧情简介

The sequel to the 2024 film. Plot TBA.

A gang of small-time criminals are sent to an experimental prison where inmates are to be reformed, not punished.

Kim Yeon Do (Lee Eun Jae), a studious high school girl, accidentally sparks a relationship with Ji Hyun Ho (Kang Yul), a popular but unserious boy, after posting another boy's picture to deter a persistent suitor. Their budding romance is challenged when Choi Seung Hyun (Lee Jung Joon), a baseball ace, arrives and shows interest in Yeon Do, causing Ji Hyun Ho to become jealous. As their relationship faces this new tension, their classmates also begin to explore romantic connections. Based on a 2016 mobile game, this is a 2021 South Korean movie directed by Lee Yoo Yeon that explores the complexities of young love and high school relationships.

30 Even Scarier Movie Moments was a two-part miniseries on Bravo which counted down 30 more of the most frightening scenes in horror cinema, or any other genre. This is also a two-part sequel to 100 Scariest Movie Moments. The list mostly consists of movies that didn't quite make the first list, or popular movies that had come out since.

The Movie Movie shows how the camera, editing techniques, make-up and sound can be used in film and video to deliberately manipulate our perceptions and emotions. Drama, action and slapstick humour are combined in a simple, family-oriented plot. There is no dialogue, but there is an explanatory song. Behind-the-scenes vignettes highlight the message that in a movie everything is not quite as it seems.

The first English broadcast of Eh, Joe? aired on BBC2 on July 4th, 1966 with Jack MacGowran, for whom the play was specifically written, playing Joe and Siân Phillips as Voice. It was directed by Alan Gibson with Beckett in attendance.